I’ve spent years making videos purely for the fun of it, experimenting with different formats, music, and editing styles. That freedom to create without expectations is where most of my voice as a filmmaker was shaped.
The projects here show that range. Poconos, shot on Super 8 and cut to a 70s track, feels like a lost home movie — grainy and nostalgic. Too Much Snow flips the energy: fast cuts and winter chaos set to “Rottweiler.” No plot, just moments, movement, and a real love for making things.
Reflection of camera removed from glasses with Content Aware Fill.
Camera mounted onto hood of a moving car for a dialogue exchange.
Gimbal stabilizer used to keep camera steady for dramatic shots.
Reflection of camera removed from car using Content Aware Fill.
Reflection of camera removed from glasses with Content Aware Fill.
Camera mounted onto hood of a moving car for a dialogue exchange.
Gimbal stabilizer used to keep camera steady for dramatic shots.
Reflection of camera removed from car using Content Aware Fill.
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